Despite the difficulty the artist Riad Al-Jolani’s experience since her childhood, her love and passion for the art of drawing led her to cling to plastic art, and to adopt it as a way of life, where the artist has the right to express herself in his creativity a social or human reality, especially since we live in relatively difficult circumstances, In addition to the story of historical suffering in resorting to the diaspora camps, which gives the right to make art a servant of the lived reality and a part of it. Riad devotes her life to the art of drawing and creating multiple materials for drawing on it.

All of her works are inspired by nature, humanity, and emotion, but it is not a blind imitation of her, She did not draw her works just for drawing or imitation, but rather believes in the necessity of creating creativity from a feeling, and insists that the artist’s aesthetic view in using his tools in a modern and innovative manner is what makes him not imitate painting in its rigid museum form, and believes that creative production can be inspired by feeling Nature and social reality, provided there is a balance between the aesthetic and the formal aspects. Riad engaged in the method of laboratory experimentation with tools selected from her environment, she accomplished drawings and paintings that simulate the conscience and used colors and materials from the local environment such as tree trunks and leaves, palm fronds, Nabataean pottery, straw, and others.

In addition, she is considered one of the founding plastic artists of the Fine Art Society in Zarqa Governorate, She is one of the fighters who drew the way and paved it with the sweat of their foreheads. By joining the CRAFTS MARKET platform, Riyad seeks to help her spread her work, She sets a goal in front of her eyes to make her works reach globalism, by benefiting from the expertise of the platform's staff in the field of marketing and supporting projects related to art and handicrafts.